Gardner's Bold Elgar: LPO's Gerontius Live at the Proms Reviewed
Gardner's Bold Elgar: LPO Gerontius Review

A Triumphant Live Recording from the BBC Proms

The London Philharmonic Orchestra, under the dynamic baton of Edward Gardner, has released a powerful new recording of Elgar's monumental oratorio, The Dream of Gerontius. This vibrant album captures the electricity of a live performance at the 2022 BBC Proms, solidifying the work's enduring appeal in a crowded field that has seen three other releases in the last two years.

Stellar Soloists and Dramatic Force

The recording's propulsive energy is driven by an exceptional cast of soloists. Tenor Allan Clayton delivers a masterful performance as the dying Gerontius, capturing the character's febrile state where every sensation is both a terror and a fascination. His heroic tone is thrilling in the great prayer, Sanctus Fortis, and his expressive use of text illuminates the complex philosophical dialogues of Part Two.

Mezzo-soprano Jamie Barton brings a luxurious and comforting presence to the Angel, her voice possessing a tangible immediacy. Bass James Platt is perfectly cast with his craggy, resonant tones for the role of the Angel of the Agony.

Gardner's Operatic Vision and Choral Power

Conductor Edward Gardner approaches the score with intense drama, conveying the narrative with an almost operatic boldness. The London Philharmonic Orchestra responds with playing of fierce commitment, as if pursued by a chorus of demons. They are matched by the formidable combined forces of the London Philharmonic and Hallé choirs, whose contributions are nothing short of spectacular.

While the Royal Albert Hall acoustic occasionally robs the recording of the last ounce of immediacy, this remains a fine achievement. It stands as a notable interpretation to rank alongside other significant recent recordings, such as Nicholas Collon's arresting Finnish account released earlier this year. This is a bold and dramatic reading of Elgar's masterpiece, and one to be cherished by audiences.