The legendary satirical puppet show Spitting Image has returned with its trademark bite, setting its sights on Prince Harry in a particularly cutting sketch that has viewers talking.
In a bizarre yet brilliant comedic twist, the Duke of Sussex is portrayed as none other than Britain's beloved Paddington Bear, complete with the iconic duffle coat and Wellington boots.
From Marmalade Sandwiches to Memoir Revelations
The sketch cleverly reimagines the famous Platinum Jubilee scene where the late Queen Elizabeth II shared tea with Paddington. Instead, this version features a puppet of the late monarch looking decidedly unimpressed as 'Harry Paddington' arrives at the palace gates.
Rather than offering a marmalade sandwich from his suitcase, this version of the character produces his controversial memoir Spare, along with various other personal revelations that have dominated headlines since his departure from royal duties.
Celebrity Voices and Comedic Timing
The segment is voiced by comedian and presenter Sue Perkins, who brings her sharp wit to the portrayal. Perkins delivers lines that poke fun at Harry's transition from senior royal to California-based celebrity and author.
The sketch doesn't pull punches, referencing everything from the Prince's security concerns to his relationship with the media and his strained dynamics with other members of the Royal Family.
A Controversial Return to Form
Spitting Image has always been known for its no-holds-barred approach to satire, and this latest series continues that tradition. The show's creators have clearly identified Prince Harry as a rich source of comedic material, given his unprecedented step back from royal life and subsequent public disclosures.
While some may find the portrayal harsh, others see it as a return to the show's roots of holding public figures accountable through humour, regardless of their status or popularity.
The sketch has already generated significant discussion on social media, with viewers divided on whether the comedy hits the mark or crosses the line in its treatment of the royal.
