In a brilliant piece of seasonal satire that has captured readers' attention, acclaimed cartoonist Stephen Collins presents a thought-provoking festive scene that pits two iconic December figures against each other. The cartoon, published in The Guardian on 21st November 2025, offers a witty commentary on the commercialisation of Christmas and the tension between religious and secular traditions.
The Confrontation of Christmas Icons
Collins' artwork depicts a striking scene where Jesus Christ and Santa Claus stand facing each other, both figures visibly agitated. The cartoon masterfully captures the essence of both characters while injecting modern social commentary into their interaction. Jesus, portrayed in his traditional robes, gestures emphatically towards Santa, who stands firm in his familiar red suit and black boots.
The genius of Collins' work lies in the subtle details that enrich the narrative. Both figures appear to be seeing red in more ways than one, with their facial expressions conveying frustration and mutual misunderstanding. The background elements carefully situate the scene in a contemporary urban setting, bridging the gap between ancient tradition and modern celebration.
Social Commentary Through Seasonal Satire
This cartoon continues Stephen Collins' tradition of using sharp observational humour to comment on societal trends and contradictions. By bringing together the religious foundation of Christmas with its commercial mascot, Collins highlights the ongoing tension between the holiday's spiritual origins and its current consumer-driven celebrations.
The timing of the cartoon's publication, just as the festive season begins in earnest, adds to its impact. Readers are prompted to consider the meaning behind their Christmas traditions at precisely the moment when commercial pressures are intensifying. Collins' work serves as a welcome pause for reflection amidst the seasonal frenzy.
Collins' Continuing Legacy in Cartoon Journalism
Stephen Collins has established himself as one of Britain's most insightful cartoonists, regularly contributing to The Guardian and other publications. His distinctive style combines clean lines with sophisticated humour, often addressing complex social issues through deceptively simple illustrations.
This particular cartoon demonstrates his ability to tackle weighty subjects with a light touch, inviting readers to engage with serious questions about tradition, commercialism, and cultural values without feeling lectured. The artwork stands as a testament to the continuing relevance of editorial cartoons in sparking public conversation.
The publication of this piece in late November 2025 positions it as a potential defining image of that year's festive season, joining the ranks of memorable Christmas cartoons that have become part of the seasonal landscape in British journalism.
