American Ballet Theatre Makes History with First Black Juliet in Groundbreaking Production
ABT makes history with first Black Juliet

In a historic moment that's sending ripples through the world of classical dance, American Ballet Theatre is rewriting the narrative of one of ballet's most beloved tragedies. The company's latest production of Romeo and Juliet features a groundbreaking casting choice that marks a significant step forward for diversity in ballet.

Chloe Misseldine, an emerging star within the company, is making history as the first Black dancer to portray Juliet in ABT's 84-year existence. Partnering with principal dancer Cory Stearns as Romeo, Misseldine's casting represents a pivotal moment in the traditionally conservative world of classical ballet.

A New Chapter for Shakespeare's Timeless Tale

The production, choreographed by Kenneth MacMillan, premiered at New York's Metropolitan Opera House to captivated audiences. While the star-crossed lovers' story remains unchanged, the significance of this casting decision adds profound contemporary resonance to the centuries-old tragedy.

Misseldine, who joined ABT's corps de ballet in 2021 and was promoted to soloist just this year, brings what critics are calling "remarkable emotional depth and technical precision" to the iconic role. Her rapid ascent and historic casting signal ABT's commitment to evolving traditions and embracing diversity on one of dance's most prestigious stages.

Breaking Barriers in Ballet

This production arrives at a time when major ballet companies worldwide are confronting historical lack of diversity in principal roles. ABT's decision to cast Misseldine as Juliet follows growing calls for greater representation in classical ballet, where dancers of colour have historically been underrepresented in leading roles.

The casting has been widely celebrated within the dance community as a meaningful step toward making classical ballet more inclusive and reflective of contemporary society. It follows other recent diversity milestones at major companies, but stands out for its significance in one of ballet's most canonical works.

A Landmark Performance

Stearns and Misseldine's partnership has been praised for its chemistry and dramatic intensity. The production features Sir Kenneth MacMillan's acclaimed choreography, with its emotionally charged pas de deux and intricate ensemble work capturing the passion and tragedy of Shakespeare's Verona.

Following its New York run, the production will tour to other cities, bringing this historic interpretation to audiences across the United States and potentially inspiring a new generation of diverse ballet dancers who can now see themselves represented in one of the art form's most cherished roles.