Dame Tracey Emin on Cancer and Politics: 'I Wasn't Afraid of Dying'
Tracey Emin on Cancer, Art Show, and Nigel Farage Criticism

Dame Tracey Emin Unveils Major Tate Show After Cancer Battle

Dame Tracey Emin has declared her intention to "make the most of every moment" as she presents her most ambitious career exhibition at Tate Modern. The showcase, titled A Second Life, represents the largest collection of her work ever assembled, spanning four decades of her provocative artistic journey.

A Journey Through Survival and Art

The exhibition's title directly references Emin's near-death experience in 2020 when she was diagnosed with squamous cell cancer. The artist underwent extensive surgery lasting over seven hours, resulting in the removal of several organs. Remarkably, she has now been cancer-free for more than five years.

"I didn't come close to dying like a collision," Emin explained. "I was told I probably had six months to live, and if the surgery worked, I had a year-and-a-half. I am still here over five years later with no signs of cancer, and I am so happy about that. It's brilliant."

The 62-year-old artist described living in "a kind of bubble, a survivor thing" and emphasized her renewed commitment to authenticity. "What you see is what you get, and what you see is what you get with my art," she stated. "I wasn't afraid of dying; I was more afraid of living, so I have to get used to it and enjoy it more."

Exhibition Structure and Content

A Second Life features more than 100 works across various media, including:

  • Painting and sculpture
  • Video installations
  • Textile works and neon pieces
  • Previously unseen artworks

The exhibition is organized around her iconic 1998 work My Bed, which serves as the dividing point between works created before and after her cancer diagnosis. A particularly significant inclusion is The Last of the Gold 2002, a quilt featuring an "A to Z of abortion" that provides advice for women facing similar situations, displayed publicly for the first time.

Emin expressed hope that schools would bring students to the exhibition to facilitate discussions about challenging themes that permeate her work, including:

  1. Abortion and reproductive rights
  2. Sexual violence and the Me Too movement
  3. Love, loss, and personal trauma
  4. The female body as a tool for exploring pain and healing

"I expect and know young women and young men will be thinking about what I am saying and advocating about these things," she noted.

Political Stance Against Farage and Reform UK

Beyond her artistic revelations, Emin delivered strong criticism of Nigel Farage and his political ambitions in her hometown of Margate. The artist, who has contributed to Margate's regeneration through an affordable art studio for emerging artists, expressed firm opposition to Reform UK's presence in the coastal town.

"Twice Farage has tried to get into Margate, and it was a joke," she asserted. "He didn't get in because there are people there who are a lot more intelligent than people imagine."

Emin highlighted her own multicultural background, noting her Turkish-Cypriot father and black grandfather, while condemning what she described as "jingoistic, racist, bigoted behaviour that divides our country."

The artist issued a stark warning about the potential rise of far-right politics in Britain: "If the far right gets in in this country, we are doomed. And everybody has to understand the significance of it."

She urged voters to support any party except Reform UK in upcoming elections, stating: "When friends say they're not voting Labour because of what's happened in the last two years, I say, 'Then vote Tory, vote anything, vote Green, but don't let Reform get in.'"

Emin also challenged prevailing narratives about immigration, arguing: "The immigration from asylum seekers in this country is minuscule, minor. Britain could take care of people wanting to come here... Instead, we've got a country now that's bordering on neo-Nazi rhetoric, which I find really abhorrent."

Tracey Emin: A Second Life opens at Tate Modern and will run until August 31, offering visitors a comprehensive look at one of Britain's most influential contemporary artists during a pivotal period of personal and creative transformation.