Jane Lapotaire: A Theatrical Force Beyond Piaf
Jane Lapotaire, who has passed away at the age of 81, will forever be linked with her iconic portrayal of Edith Piaf in Pam Gems's play. However, her legacy extends far beyond this celebrated role, revealing her as a majestic and instinctive classical actor.
The Piaf Phenomenon and Its Impact
Lapotaire's performance as the French singer in the 1978 production of Piaf was a sensation, earning her both an Olivier award and a Tony. Born to a French mother and raised in Ipswich, her Gallic roots seemed to destine her for the part, but she transcended mere impersonation. She captured Piaf's working-class loyalty, emotional generosity, and invincible spirit, showcasing a woman who described herself as "just a bit of slum rubbish" with a wide-open smile that illuminated the stage.
While this role was a gift that Lapotaire relished, its success often overshadowed her true calling as a classical actor. She was most at home in the works of Shakespeare, Sophocles, Ibsen, and Chekhov, where her vocal precision and intelligent interpretations shone brightly.
A Classical Journey from Bristol to Stratford
After honing her craft at the Bristol Old Vic, Lapotaire became part of Laurence Olivier's National Theatre company and was a founding member of the Young Vic. Her early roles included Kate in The Taming of the Shrew and Isabella in Measure for Measure, but it was at Stratford's Other Place in 1974 that her originality became evident. As Sonya in Chekhov's Uncle Vanya, directed by Nicol Williamson, she transformed the character from a dowdy figure into a practical, domestic soul, her doe-eyes tracking Astrov's departure with heartbreaking clarity.
Magnificent Returns and Director Collaborations
Lapotaire's finest work often occurred in the humble setting of the original Other Place. In 1993, she returned to play Mrs Alving in Ibsen's Ghosts, directed by Katie Mitchell, alongside Simon Russell Beale and John Carlisle. Her performance was nothing short of magnificent, blending free-thinking with an omnivorous nature that explained Pastor Manders's retreat.
She responded exceptionally well to certain directors, such as Peter Gill, for whom she played Viola and Rosalind in Shakespeare, and Belvidera in Otway's Venue Preserv'd. Her ability to adapt to heroic styles, like stretching her hands across her brow to denote tears, showcased her versatility.
Resilience and Late-Career Highlights
In 2000, Lapotaire's career was disrupted by a massive cerebral haemorrhage, but she made a resilient return. She worked multiple times with Gregory Doran at the RSC, notably playing a silver-haired Duchess of Gloucester to David Tennant's Richard II in 2013. To the end, she remained a strong stage presence, with the inherent majesty and clarity of a swan on water.
Jane Lapotaire's life was a testament to theatrical excellence, from her early days in television, including a prominent role as Marie Curie, to her enduring impact on classical theatre. Her legacy is one of invincible talent and unwavering dedication to the art of performance.
