A charming stage adaptation of a beloved children's book is currently making waves in North London. The Storm Whale, based on the picture books by Benji Davies, is running at Little Angel Studios until 24 January. The production brings to life the poignant story of a lonely boy and his extraordinary marine visitor.
A Seaside Tale of Solitude and Friendship
The story centres on a young boy named Noi, played by Emily Essery, who lives in an idyllic seaside cottage with his fisherman father, portrayed by Richard Lounds. Despite the picturesque setting, designed beautifully by Lydia Denno, Noi grapples with profound loneliness while his dad is out at sea each day. The narrative takes a magical turn when a fierce storm, choreographed elegantly by Hayley Del Harrison, washes a small whale onto the shore.
Director Matt Aston's adaptation sensitively explores themes of solitude, loss, and connection. It delves deeper into the family's backstory, hinting at the mother Noi has lost, which adds emotional weight. The central lesson, that solitude need not mean loneliness, is passed down through this memory.
Puppetry and Design: The Heart of the Show
The production's undeniable highlight is its puppetry. The whale puppet, crafted by Keith Frederick, is described as a "squishy delight" with a quivering tail and glinting eyes, brought to life with a sense of wonder by Sue Dacre's puppet direction. While only one of Noi's six cats—cutely named after coastal towns—is a fully realised puppet, the charming detail of the marmalade cat named Sandwich adds warmth.
Technical elements shine throughout. Jason Salvin's lighting design creatively uses an array of sources to evoke different moods, from the cosy home to the vast ocean. Composer Julian Butler provides a stirring score, including sea shanties and a jig for the storm sequence, which is a particular highlight.
Where the Show Could Ride a Wilder Wave
While touching and evocative, the review notes the production occasionally lacks playful energy. The script's earnest messages can grow repetitive, and the dialogue is sometimes overly solemn for a young audience. A framing device involving Noi's friend Flo (Géhane Strehler), who references a "midlife crisis," is likely to sail over children's heads.
The adaptation covers both The Storm Whale and its sequel, The Storm Whale in Winter, where Noi's father is rescued at sea. However, some key scenes feel too brief. Critics suggest that with a dash more raucous humour and adventurous spirit, akin to the venue's previous hit The Singing Mermaid, the show could truly create a perfect storm of entertainment.
Ultimately, The Storm Whale at Little Angel Studios is a visually beautiful and emotionally resonant piece of children's theatre. It successfully captures the heart of Benji Davies's stories, offering a gentle, thoughtful experience for families, even if it leaves audiences wishing for a few more moments of unbridled fun.
