Patrick Marmion’s review of Inter Alia at the National Theatre’s Lyttelton stage is as polarising as the play itself. The production, a kaleidoscopic blend of surrealism and satire, leaves audiences both mesmerised and bewildered.
A Visual Spectacle with Little Substance
Marmion praises the play’s striking visual design, describing it as a 'feast for the eyes.' The set, a labyrinth of mirrors and neon lights, creates an otherworldly atmosphere. Yet, beneath the glittering surface, he finds a narrative that struggles to resonate emotionally.
Performances That Shine and Stumble
The cast delivers a mixed bag. While some actors embrace the absurdity with gusto, others seem lost in the play’s convoluted themes. Marmion singles out the lead performer for their 'committed but ultimately exhausting' portrayal.
Audience Reactions: Love It or Loathe It
Early reactions suggest Inter Alia is a divisive experience. Some viewers hail it as a bold, avant-garde masterpiece, while others dismiss it as pretentious and incoherent. Marmion concludes that the play’s ambition outstrips its execution, leaving it more style than substance.
