Despite boasting the formidable talents of Ralph Fiennes and the creative genius of Alan Bennett, Nicholas Hytner's new production 'The Choral' strikes several duff notes, leaving audiences and critics wanting more from this highly anticipated theatrical collaboration.
A Promising Premise Falls Flat
The play, set within the rehearsal rooms of a northern amateur opera society, initially promises the signature wit and observational humour that has made Bennett a national treasure. However, as the narrative unfolds, it becomes apparent that even Bennett's sharp writing can't elevate what ultimately feels like a sub-par offering from the celebrated playwright.
Fiennes' Valiant Efforts
Ralph Fiennes, playing the society's long-suffering conductor, delivers a performance that is characteristically committed and nuanced. Yet even his considerable talents cannot mask the fundamental weaknesses in the material. Fiennes brings depth to a role that desperately tries to find emotional resonance, but the script offers him limited room to truly shine.
Missed Opportunities and Lacklustre Execution
The production suffers from several critical shortcomings:
- Underdeveloped characters that fail to engage audience empathy
- Predictable plot twists that lack Bennett's usual subtlety
- Musical elements that feel forced rather than integral to the story
- Pacing issues that make the two-hour runtime feel considerably longer
A Disappointing Return to Form
Given the stellar reputations of everyone involved—from Bennett's writing to Hytner's direction and Fiennes' acting pedigree—'The Choral' represents a significant disappointment in the London theatre scene. The production feels like a collection of talented individuals working at cross-purposes rather than a cohesive artistic vision.
While there are moments of Bennett's trademark humour and social commentary, they are too few and far between to salvage a production that ultimately fails to deliver on its considerable promise. For theatre enthusiasts hoping for a return to Bennett's best form, this production may leave them feeling they've heard this particular song before—and performed better.
