Le Concert Spirituel, under the masterful direction of Hervé Niquet, transported audiences at London’s Royal Albert Hall back to the Renaissance era with a spellbinding rendition of Alessandro Striggio’s Mass for 40 and 60 Voices. The performance was nothing short of spectacular, showcasing the ensemble’s impeccable precision and rich tonal textures.
A Triumph of Polyphony
The grandeur of Striggio’s composition, a rarely performed masterpiece, was brought to life with astonishing clarity. The interplay of 40 voices—expanding to 60 in the climactic sections—created a sonic tapestry that filled the iconic venue with cascading harmonies. Niquet’s meticulous attention to historical performance practices added depth and authenticity to the interpretation.
Royal Albert Hall: The Perfect Setting
The Royal Albert Hall’s acoustics proved an ideal match for the intricate polyphony of Striggio’s work. The soaring vaults amplified the choir’s celestial sound, while the ensemble’s dynamic control ensured every delicate phrase resonated with emotional intensity.
Standout Moments
- The Kyrie, with its layered entrances, demonstrated the choir’s flawless blend.
- The Gloria erupted in jubilant energy, showcasing the group’s virtuosic agility.
- The Agnus Dei provided a hauntingly beautiful conclusion, leaving the audience in rapt silence.
This performance reaffirmed Le Concert Spirituel’s reputation as one of Europe’s finest early music ensembles. For lovers of Renaissance polyphony, it was an unmissable event—a rare opportunity to experience Striggio’s monumental work in all its glory.
