Guardian readers are being offered a rare opportunity to put their questions directly to the acclaimed American R&B and neo-soul artist, Jill Scott. The three-time Grammy Award winner will participate in the publication's Film & Music reader interview, covering her multifaceted career in music, acting, and literature.
A Multifaceted Career in the Spotlight
Jill Scott, 53, first rose to prominence with her platinum-selling debut album, 'Who Is Jill Scott? Words and Sounds Vol 1' in 2000, after being discovered by The Roots' Questlove during her spoken-word performances. She has since released five more albums, with her sixth on the way. The lead single, 'Pressha', offers a pointed commentary on societal beauty standards, with Scott singing about the "pressure to appear just like them / Pretty and cosmetic."
Her distinctive voice and direct songwriting have made her a highly sought-after collaborator. Her impressive roster includes work with Dr Dre, Pusha T, Common, and Will Smith. Her new album continues this trend, featuring appearances from artists like Tierra Whack and JID.
Beyond the Music: Acting and Authorship
Scott's artistic talents extend far beyond the recording studio. She has built a notable acting portfolio, starring as James Brown's wife in the 2014 biopic 'Get on Up'. She also appeared in HBO's 'The No. 1 Ladies' Detective Agency' and BET+'s adaptation of 'The First Wives Club'.
As an author, she penned the New York Times bestselling poetry collection 'The Moments, the Minutes, the Hours'. Furthermore, she founded the Blues Babe Foundation, which supports higher education opportunities.
Your Chance to Ask the Star
Readers can now ask Scott about any aspect of her remarkable journey. Potential topics could include her 2014 performance at the White House, her lockdown livestream battle with fellow singer Erykah Badu, insights from poet Nikki Giovanni, or even how often she is mistaken for the former England footballer who shares her name.
To participate, questions must be posted in the comments section on the Guardian's website by 12:00 GMT on Friday 16 January. The best submissions will feature in a forthcoming issue of the Film & Music section.
