Bridesmaids Tops Poll of Most Uplifting Films
Bridesmaids, the 2011 comedy directed by Paul Feig and starring Kristen Wiig, has been voted the most feelgood movie of all time in a new UK poll. The survey of 2,000 adults, commissioned by streaming service Now TV, placed the film ahead of classics like The Princess Bride and Mamma Mia!.
The poll asked respondents to choose from a list of 50 feelgood films, with Bridesmaids receiving 12% of the vote. The Princess Bride came second with 11%, while Mamma Mia! took third place with 10%. Other films in the top ten include The Sound of Music, Dirty Dancing, and Love Actually.
Why Bridesmaids Resonates with Audiences
According to the research, 68% of Britons say they watch feelgood movies to boost their mood, and 45% turn to them during stressful times. Psychologist Dr. Becky Spelman commented on the findings: 'Feelgood films like Bridesmaids provide a sense of escapism and emotional release, which can be particularly beneficial for mental wellbeing.'
The film's blend of raucous humour and heartfelt moments appears to strike a chord. One in three respondents said they rewatch feelgood movies at least once a month, with Bridesmaids being a top choice for repeat viewing.
Top 10 Feelgood Films According to the Poll
- Bridesmaids (12%)
- The Princess Bride (11%)
- Mamma Mia! (10%)
- The Sound of Music (9%)
- Dirty Dancing (8%)
- Love Actually (7%)
- Singin' in the Rain (6%)
- Forrest Gump (5%)
- Legally Blonde (4%)
- The Full Monty (3%)
Feelgood Movies as a Cultural Staple
The poll also revealed generational differences: younger viewers (18-34) favoured modern comedies like Bridesmaids and Superbad, while older respondents (55+) preferred classics such as The Sound of Music and Singin' in the Rain. Overall, 74% of Britons agreed that feelgood films are an important part of British culture.
Now TV's head of programming, Sarah Wright, said: 'It's no surprise that Bridesmaids has been crowned the ultimate feelgood movie. Its perfect mix of comedy and heart continues to win over audiences a decade after its release.'
