Australian literary darling Trent Dalton returns with his highly anticipated fourth novel, Gravity Let Me Go, but this time the celebrated author's magic appears to have deserted him. The novel, which follows the misadventures of former journalist-turned-criminal Jake Jones, has landed with a disappointing thud among critics.
A Crime Caper That Loses Its Way
Dalton, previously praised for his heartfelt storytelling in works like Boy Swallows Universe, ventures into new territory with this Australian crime caper. The plot centres on Jake Jones, who finds himself entangled in a high-stakes criminal underworld after his journalism career collapses. Yet what promises to be an exhilarating ride quickly descends into what critics are calling a 'messy, self-indulgent affair.'
Problematic Humour and Characterisation
The novel's most glaring issue lies in its reliance on crude, 'ocker' humour that frequently misses the mark. Rather than adding authentic Australian flavour, the constant references to male anatomy and bodily functions feel forced and juvenile. One particularly criticised element involves the protagonist's 'beleaguered ballsack,' which becomes an unfortunate recurring motif throughout the narrative.
Character development suffers significantly, with Jake Jones failing to evolve beyond his initial premise. Supporting characters feel like caricatures rather than fully realised individuals, leaving readers struggling to invest in their fates.
Structural Weaknesses and Pacing Issues
Beyond its tonal problems, Gravity Let Me Go battles significant structural challenges. The narrative frequently loses momentum, with subplots that meander without clear purpose. Dalton's signature lyrical prose, which shone in previous works, here feels overwrought and disconnected from the crime caper genre he's attempting to master.
The novel's pacing proves inconsistent, alternating between frenetic action sequences and prolonged periods of stagnation. This uneven rhythm prevents the story from building the tension necessary for a successful thriller.
A Departure From Previous Success
What makes Gravity Let Me Go's shortcomings particularly notable is how dramatically they contrast with Dalton's earlier acclaimed works. Boy Swallows Universe and All Our Shimmering Skies demonstrated the author's ability to blend gritty realism with magical wonder, creating unforgettable literary experiences.
This latest effort, however, suggests an author struggling to find his footing in unfamiliar genre territory. The attempt to merge crime fiction with Dalton's characteristic whimsy results in a tonal confusion that undermines both elements.
The Verdict on Dalton's Latest
While Dalton's ambition to explore new creative directions is commendable, Gravity Let Me Go ultimately fails to deliver on its promise. The novel's combination of problematic humour, underdeveloped characters, and structural flaws creates a reading experience that feels more laborious than entertaining.
For devoted Dalton fans, the book may offer glimpses of the author's undeniable talent, but newcomers would be better served starting with his earlier, more accomplished works. As it stands, Gravity Let Me Go represents a surprising misstep in an otherwise impressive literary career.
