Jill Halfpenny is set to take on Brenda Blethyn's former role as Mari Hoff in the upcoming stage revival of The Rise and Fall of Little Voice. The Channel 5 star will play the boozy and self-absorbed mother in the new adaptation, with Silent Witness actress Francesca Mills in the principal role of Little Voice.
A Role Revived for a New Generation
The 1998 film featured a stellar cast, including Michael Caine, Jane Horrocks, Ewan McGregor and Jim Broadbent. Now the story is being revived for the stage so a new generation can witness the tale of a young, timid woman who discovers her own voice through remarkable musical impersonations.
Speaking on BBC Breakfast, Jill discussed the production with Jon Kay and Sarah Campbell. She said: "I play Mari, who was played by Brenda Blethyn in the movie and Alison Steadman originally, who's the mum of Little Voice."
Preparing for the Production
Jon noted that the character was recognised for being "difficult," and Jill described Mari as volatile. Meanwhile, Paul revealed he will be assuming the part of Mr. Boo, the proprietor of a working men's cabaret club, a role Jim Broadbent portrayed in the film.
Commending the "fabulous" movie, which was released 30 years ago, Paul stated: "The play is even better. It's not the same, obviously. There are no big cars or things like that; it's all more or less in-house and in the club." Jill added: "Yeah, it's very funny, but it's equally as heartbreaking. It really takes you on a ride when you watch it. So far, watching what everybody's already bringing to the table, we're only in our third week of rehearsal, and everyone is really good."
Rehearsals and Reflections
The duo revealed they have roughly six weeks to prepare before the production launches at the beginning of December. Jill discussed Francesca Mills, describing her as "fabulous" and noting she is making the character her own.
During the interview, Paul reflected on the passing of his brother Barry, who died eight years ago. Sarah noted that the pair had performed on stage together frequently, and Paul responded: "Yes, very different. For a start, six weeks of rehearsals; the most I've ever had is two weeks. When Barry and I did our tours, we did two days of rehearsal and went out on a 65-day tour. I've never done any training."
Paul also clarified he is accustomed to being able to restart if he fluffs a line, which he won't be able to do on stage, stating: "There's some long, long speech lines to learn; it's difficult, but I'm getting there."
