The annual Christmas pantomime at the London Palladium, featuring a star-studded cast including Catherine Tate and Julian Clary, has been hit by a barrage of negative reviews from disappointed audience members. The production of Sleeping Beauty, running until 11 January 2026, is facing criticism for its 'tired' material and ticket prices that soar as high as £220.
Audience Backlash Over Cost and Content
Disgruntled theatregoers have taken to platforms like TripAdvisor to voice their frustrations, with many feeling short-changed by the experience. Key complaints centre on the premium cost of entry, with some tickets exceeding £200, and a perceived lack of laughs from the acclaimed comedic cast. One reviewer described the show as a "grim, lazy tirade of innuendos," while another claimed Catherine Tate's performance was "very dull."
Further criticism was aimed at the adult-oriented humour, with some attendees suggesting the content was not suitable for children. However, defenders were quick to point out that risqué innuendo is a staple of traditional pantomime and that a parental guidance warning is clearly displayed on the venue's ticketing website.
A Tidal Wave of Fan Support Emerges
In response to the wave of negative feedback, a significant counter-movement of support for the cast and production has surged on social media. Fans have flooded Instagram and X (formerly Twitter) with positive messages, praising the show's energy and performances.
"It’s brilliant, great cast with wonderful costumes," wrote one supporter. Another commented, "Saw it today. Loved every minute of it." Addressing the criticism directly, one fan stated, "The headline act is Julian Clary. People expecting child friendly were stupid... Catherine Tate was the least smutty of all the main acts."
Divided Opinions on a Festive Staple
The reviews present a starkly divided picture of the high-profile production. While some long-standing patrons expressed their disappointment, even suggesting they might not return after a nine-year tradition, others found it to be a classic, enjoyable panto.
Amid the complaints about muted audience reactions and a lack of a standing ovation, hopeful comments praised not only the show but also the Palladium venue and its staff. The production, which also stars Nigel Havers, continues its run at the London Palladium, leaving it to audiences to decide if the festive spectacle delivers value for money.
The Mirror has reportedly contacted representatives of the theatre and cast members for comment regarding the critical reception.
