Argentinian experimental music icon Juana Molina has revealed that one of her greatest aversions in life is taking things too seriously. In a refreshingly candid interview, the legendary artist shared insights into her creative world where playfulness trumps pretension every time.
The Anti-Solemnity Manifesto
"One of the things I hate most in life is to be solemn," Molina declared, setting the tone for a conversation that was anything but conventional. The musician, known for her mesmerising blend of electronic textures and folk influences, explained how this philosophy shapes her entire approach to art and life.
Rather than following rigid creative rules, Molina embraces spontaneity and intuition in her work. Her latest musical explorations continue this tradition, weaving together unexpected sounds and rhythms that defy easy categorisation.
The Creative Process Unveiled
Molina described her studio as a playground rather than a laboratory. "I don't believe in waiting for inspiration to strike," she explained. "I prefer to start working and let the ideas emerge through the process itself."
This organic approach has characterised her career since she transitioned from television comedy to music in the 1990s. Despite initial scepticism from critics who dismissed her as just another celebrity dabbling in music, Molina persisted, developing a unique sonic language that has since earned international acclaim.
Beyond Musical Boundaries
What sets Molina apart is her refusal to be confined by genre expectations. Her work seamlessly merges electronic experimentation with traditional Argentinian folk elements, creating soundscapes that feel both ancient and futuristic.
"Labels are for jars, not for music," she quipped, emphasising her belief that true creativity flourishes when artists ignore conventional boundaries and follow their instincts.
As she continues to evolve as an artist, Molina remains committed to her core principle: making music that feels alive, unpredictable, and completely free from artistic solemnity.
