The Barbican Hall witnessed musical magic as Thomas Adès returned to the podium with the London Symphony Orchestra in a programme that balanced cutting-edge contemporary works with a masterful interpretation of Sibelius.
A Triumphant Return
Adès, conducting without his customary piano, commanded the stage with authority and precision. The evening showcased his dual talents as both composer and conductor, demonstrating why he remains one of Britain's most significant musical voices.
World Premieres Shine
The concert featured highly anticipated world premieres that captivated the audience. Joseph Phibbs's Chamber Symphony unfolded with remarkable clarity and invention, while Pelle Ruders's Oboe Concerto provided a stunning vehicle for the LSO's principal oboe, showcasing technical brilliance and emotional depth.
Sibelius Reimagined
The centrepiece of the evening proved to be Sibelius's Fifth Symphony, delivered with breathtaking power and nuance. Adès approached this familiar work with fresh eyes, revealing hidden textures and building the famous 'swan hymn' to an overwhelming climax that left the audience spellbound.
An Orchestra at its Peak
The LSO demonstrated why they remain among the world's elite ensembles, responding to Adès's direction with impeccable ensemble playing and soloistic excellence across all sections. The brass particularly shone in the Sibelius, filling the hall with radiant sound.
This was more than just a concert—it was a statement about the vibrant health of contemporary classical music in London, proving that new works can stand shoulder-to-shoulder with established masterpieces when performed with such conviction and skill.
