
The glittering Venice Film Festival was set to be the perfect runway for a new era at Versace. Instead, the house's showcase became the source of a major fashion scandal, as critics delivered a brutal verdict on new designer Maximilian Davis's debut collection.
Gone was the explosive, unabashed sex appeal that defined Donatella Versace's reign. In its place, a collection described by insiders as "dull," "sloppy," and utterly lacking the magnetic glamour the iconic brand is known for.
A Whimper, Not a Bang
The show, held at a historic palazzo, failed to generate its usual electric buzz. The front row, typically a who's who of A-list celebrities, was notably subdued. While Donatella's daughter, Allegra, sat proudly in support, the absence of major Hollywood stars was deafening.
One seasoned fashion editor summarised the feeling amongst the crowd: "The show was a snooze. It felt lazy. Where was the excitement? Where was the sex? This is Versace, for heaven's sake!"
The Devil in The Details
Criticism wasn't just reserved for the overall lacklustre feeling; it got specific. Detractors took aim at the construction of the garments themselves, with one showgoer labelling the finish "embarrassingly sloppy."
Another pointed out a particularly damning detail: "The safety pins—a signature Versace motif—looked cheap. They were plastic. It’s a small thing, but it symbolised everything that was wrong. It felt inauthentic and cost-cutting."
The Weight of a Legacy
The harsh reception places immense pressure on 27-year-old Maximilian Davis. Hailed as a wunderkind after his work at Ferragamo, his appointment was meant to inject fresh energy into Versace while honouring its storied past.
His task was unenviable: to step out from the long shadow of Donatella Versace, a living legend who cemented the brand's identity of power, confidence, and overt sexuality. This debut suggests a cautious, perhaps overly reverential approach that missed the mark entirely.
For a brand built on making a bold statement, this quiet, criticised debut in Venice leaves more questions than answers about Versace's future direction.