Dublin's alt-country prodigy CMAT transformed a London stage into a vibrant, glitter-dusted honky-tonk, delivering a performance that was equal parts heartfelt confession and high-camp spectacle. The rising star, known for her sharp songwriting and larger-than-life persona, had the audience in the palm of her hand from the first note.
Backed by a tight band, CMAT (real name Ciara Mary-Alice Thompson) showcased tracks from her acclaimed debut album, If My Wife New I'd Be Dead. Her powerful, crystalline vocals soared through the venue, effortlessly navigating the blend of classic country twang and modern pop sensibility that defines her sound.
A Masterclass in Storytelling and Stagecraft
The setlist was a rollercoaster of emotions, expertly weaving together tales of romantic misadventure, personal anxiety, and wickedly funny observations. Tracks like 'I Don't Really Care for You' and 'Nashville' became riotous, communal singalongs, while more introspective moments offered a glimpse into the vulnerability beneath the sequinned exterior.
Between songs, CMAT proved herself a natural raconteur, engaging the crowd with hilarious, self-deprecating banter that made the large venue feel intimately personal. This unique connection is a hallmark of her live show, turning casual listeners into devoted fans.
Solid Support from Flyte
Opening the evening were London-based indie-folk quartet Flyte, who set the tone perfectly with their harmonious and melancholic set. Their lush, melodic songs from the album This Is Really Going to Hurt provided a beautiful, sombre counterpoint to the main act's flamboyant energy, demonstrating the thoughtful curation of the entire bill.
CMAT's London performance was more than just a gig; it was a declaration of a major artist arriving fully formed. With her singular voice, undeniable charisma, and a batch of incredibly well-crafted songs, she solidifies her status as a must-see live act and a defining voice for a new generation of country music fans.
