In a recent letter to the editor, Sean Kaye-Smith from Bristol drew attention to the enduring impact of Jane Arden's 1973 film, The Other Side of the Underneath, prompted by Zoe Williams' article on grief-art and grief-porn in cinema. Kaye-Smith highlights how this powerful work remains unparalleled in its raw emotional depth and visual haunting quality, decades after its release.
The Legacy of Jane Arden's Cinematic Vision
Jane Arden, a figure from 1958 as captured in a photograph by Alan Meek, created a film that boldly declared its theme as "women's pain". Released in 1973, The Other Side of the Underneath stands out not only for its content but also for its historical significance. It was the only British feature film directed by a woman throughout the entire 1970s, making it a landmark in feminist cinema.
A Film Locked Away and Rediscovered
For years, the film was hidden in the British Film Institute's vaults, reportedly due to the trauma experienced by Arden's creative associate, Jack Bond, following her sudden death in 1982. However, in 2009, the BFI courageously reissued the film, allowing new audiences to experience its harrowing narrative. Unlike more recent productions such as Hamnet and H is for Hawk, Arden's work was never intended for mainstream accolades like Oscars or Baftas, focusing instead on authentic artistic expression.
Grief-Art Versus Grief-Porn: A Clear Distinction
Kaye-Smith emphatically argues that The Other Side of the Underneath falls into the category of grief-art rather than grief-porn. The film delves into the raw emotions of suffering without exploitation, presenting a vision of "other Britain" where vulnerability is openly expressed and screams are heard. This distinction underscores its artistic merit and its role in challenging societal norms around women's experiences.
Overall, Sean Kaye-Smith's reflections remind us of the film's unique place in cinematic history, celebrating Jane Arden's mastery in portraying grief through a lens that remains relevant and moving to this day.
