Coward review: wartime romance and escapism at Cannes
Coward review: wartime romance and escapism at Cannes

Lukas Dhont's First World War-set gay romance 'Coward' premiered at the Cannes Film Festival, offering a heartfelt examination of cowardice and lives lived in secret amid the brutality of battle. The film follows a Belgian theatrical troupe, often in drag, formed to entertain soldiers behind the lines and boost morale.

The story centres on Francis (Valentin Campagne), a tailor turned flamboyant troupe leader, and Pierre (Emmanuel Macchia), a soldier who deliberately wounds himself to join the group. Their growing love affair raises questions about desertion and identity, as they consider fleeing to a neutral country.

Dhont, known for exploring gay and transgender issues in 'Girl' and 'Close', delivers a well-acted but earnestly researched film. The troupe faces accusations of cowardice while performing for troops, officers, and wounded soldiers, with Francis insisting on discipline and artistic commitment.

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The film's paradox lies in its depiction of war as a space for freedom and self-expression. Campagne and Macchia give committed performances as secret lovers, though the narrative is somewhat predictable in its themes and execution.

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