Anne Sofie von Otter's latest album, Berlin! Berlin! Berlin! Kabarett und Exil, is an enjoyably eclectic recital that highlights the aesthetic friction between romantic ballads, saucy burlesque, cinematic dreamscapes, and political firecrackers. The album, released on BIS, features the Salon Orchestra of the Komische Oper Berlin under conductor Adam Benzwi.
Historical Context and Influence
The provocative, politically charged club scene that flourished in 1920s Berlin was not merely a fleeting trend swept away by the Nazis. As von Otter's recital demonstrates, its influence on film, musical theatre, and popular song extended across several decades. Emigres such as Friedrich Hollaender and Mischa Spoliansky embraced Hollywood escapism, while others like Kurt Weill and Hanns Eisler wrapped anti-government rhetoric in satirical songs that pulled no punches.
Programme and Performance
The programme is intentionally diverse, aiming to showcase the stylistic contrasts between different genres. While the through-line lurches at times, the Salon Orchestra of the Komische Oper Berlin delivers thoroughly authentic performances under the strict, idiomatic baton of Adam Benzwi. The piquant orchestrations and arrangements are a treat.
Most of the songs on the album will be unfamiliar to listeners. There is a jazzy Balkan stomp, complete with cimbalom, from the 1939 film Song of the Desert, and a gutsy number by Gunter Neumann that kicks off like a Prussian striptease. Musik! Musik! Musik! from the movie Hallo, Janine sounds like it is channelling the theme from The Muppet Show.
Von Otter's Artistry
Von Otter, now 71, remains the consummate artist, although her range is naturally narrower these days. That does not prevent her from bringing deep understanding to these texts, even as she negotiates transitions from her still potent chest voice to a close-miked crooned top. Her interpretation adds emotional depth to the eclectic mix of songs.
According to the review, the album succeeds in highlighting the aesthetic friction between romantic ballads, saucy burlesque, cinematic dreamscapes, and political firecrackers, making it a compelling listen for fans of cabaret and classical music alike.
