In an extraordinary cultural coup, The National Gallery has permanently acquired a rare and magnificent red chalk drawing by the Renaissance master Leonardo da Vinci, valued at an impressive £12 million.
The artwork, titled 'The Virgin and Child with Infant St. John the Baptist' (also known as The Virgin with the Infant Christ and St John the Baptist), represents one of the most significant acquisitions in the gallery's recent history. This masterful drawing had been on long-term loan to the institution since 1992, but its future has now been secured for the nation thanks to a remarkable collaboration of philanthropic forces.
A Triumph of Philanthropy
The acquisition was made possible through a powerful partnership between British and American benefactors. The majority of the funding, a generous £10 million, was provided by the Swedish-born British philanthropist Dr Hans Rausing. The remaining £2 million was secured through the National Gallery's American foundation, showcasing transatlantic support for preserving cultural heritage.
Dr Susan Foister, the gallery's director of collections, described the drawing as "one of the most important works of art in the collection," emphasizing its profound significance to the nation's cultural treasury.
Historical Significance and Provenance
This exquisite drawing boasts a remarkable history, having been owned by two British monarchs. It was previously part of the renowned collections of both King Charles II and King George III. The artwork was acquired from The Savoy Hotel's art collection, adding another layer to its fascinating provenance.
The acquisition ensures that this national treasure will remain accessible to the public in Trafalgar Square, allowing future generations to appreciate Leonardo's genius firsthand.
Enduring Legacy
This landmark purchase reinforces The National Gallery's commitment to preserving and showcasing masterpieces of unparalleled historical and artistic importance. The securing of this Leonardo da Vinci work represents not just an acquisition, but a permanent enrichment of the United Kingdom's cultural landscape.
