Adam Riches' solo play The Captain resurrects Capt Matthew Webb, the first man to swim the Channel unaided, in a stirring and funny tribute at Summerhall's Anatomy theatre. Riches plays Fred Beckwith, a swimming coach who trains the young Webb for his attempt at greatness. The show takes the form of a lecture-cum-eulogy to the “half man, half fish” Webb, whose body lies under a shroud on a table in the apt surroundings of the venue.
A comic take on a true story
A comedian by trade, Riches offers a version of the true story that is as funny as his comedy elsewhere on the fringe, The Critic's Way. The gentle sendup of Victorian values is droll. The swimming workshops and cheerleading of Webb's channel crossing, to which the audience is co-opted with gusto, are stirring good fun.
There is a real relish for the story's bizarre details – such as Beckwith's “mystical fifth swimming technique”, the sidestroke. Or the American rival to Webb who completes the crossing before him, albeit in a rubber suit that strongly resembles a boat.
Seriousness beneath the jokes
You could argue that the comic instinct undermines the seriousness of Riches' exploration of what drives some people to strive for the impossible – and what mark they leave on the rest of us. Riches can seldom resist a joke, and even at his most earnest – as Beckwith hymns the manly strength and firmness of his hero's endeavours – you sense the next gag pregnant on his lips.
But the sincerity of his interest shines through. Perhaps unsurprisingly for a man whose whole oeuvre has explored extreme masculinity, and whose every Edinburgh fringe (two shows this year, three next) is itself a heroic feat of stamina, Riches considers Webb's grasp-exceeding reach, and the role glory plays in a life well lived, with real depth of feeling.
A tribute to Victorian pluck
Why swim 21 miles when you can swim 39? It might as well be Riches' motto, and he makes an engaging case for it in this tribute to Victorian pluck and watery derring-do. At Summerhall, Edinburgh, until 31 August.
