Jane Krakowski on Her Iconic TV Roles and Unwavering Love for the Stage
Jane Krakowski, celebrated for her scene-stealing performances, has illuminated television and theatre with her unique talent. In a recent interview, she delved into the shows that shaped her career and her lifelong devotion to the stage.
From Ally McBeal to 30 Rock: Defining a Generation of Television
Krakowski first captured audiences as Elaine Vassal in Ally McBeal, a groundbreaking dramedy that sparked debates on feminism in the late 1990s. Her character, brassy and eccentric, provided a stark contrast to Calista Flockhart's neurotic lead, offering a refreshing take on career women. She recalls, "It became such a water-cooler show," highlighting its cultural impact.
Later, in 30 Rock, she portrayed Jenna Maroney, a role that honed her comedic voice under Tina Fey's guidance. Krakowski praises Fey as a "genius writer and incredible person," noting how the show's anti-formulaic scripts kept both cast and viewers on their toes. This was followed by her turn as Jacqueline White in Unbreakable Kimmy Schmidt, where she infused a wealthy socialite with a blend of narcissism and humanness, making every line instantly quotable.
A Theatre Legacy: From Broadway to the West End
Despite her screen success, Krakowski's heart lies in theatre. She rarely goes two years without a stage role, recently starring in Oh, Mary! on Broadway, which she describes as having an "incredibly loyal and returning gay fanbase." Her early dreams of ballet were dashed by strict body type standards, but this shaped her appreciation for imperfections, which she now celebrates in her characters.
Her discipline is rooted in a hoofer's grit, instilled from attending the Professional Children's School. She shares an anecdote about Chita Rivera, who once told her, "We don't miss shows. Unless I'm in an ambulance going to the hospital with an entirely broken leg, there's no reason I'm not going to be coming to the theatre." This ethos has guided her through numerous productions, including Guys and Dolls in London's West End, where she won an Olivier Award.
Collaborations with Icons: Sondheim and Beyond
Krakowski's recent work includes Here We Are, Stephen Sondheim's final musical, which she performed at the National Theatre in London. She admits the piece is "tricky and complicated," but cherishes the opportunity to work on Sondheim's "final puzzle." Reflecting on the experience, she says, "What always felt very emotional to me in act two is that you feel Sondheim leave the room. We never want Sondheim to go away."
Her career spans collaborations with legends like Tina Fey and Andrew Lloyd Webber, yet she remains grounded in her New Jersey roots and family's love for the stage. Krakowski concludes by emphasizing her preference for "the wrong-but-right" in comedy, saving her edgier explorations for performances while maintaining a sunny, grateful demeanor offstage.
