The Galloping Cure, a new music theatre work by Missy Mazzoli and Royce Vavrek, premiered at the Festival theatre in Edinburgh, delivering a powerful allegory of America's opioid crisis with biting satire and black comedy. Despite singing dogs and hallucinogenic sheep, the opera is not for the faint-hearted.
A dark allegory of addiction
Based on an original story by Karen Russell, inspired by Kafka's A Country Doctor, the plot centres on Dr Theresa Hart and her community's struggle with chronic illness and disillusionment. When a carnival arrives led by the mysterious Lucky Mack, the release of 'flying' on his carousel seems like salvation. But Mack's devious methods, including ride limits and surge pricing, lead to conflict, desperation and death.
The libretto by Vavrek mixes poetic lyricism with satire, set to Mazzoli's impeccably crafted vocal lines. The score is direct yet sophisticated, with a brassy quality and creepy carny vibe, enhanced by percussion and club beats.
Staging and performances
Tom Morris's staging for Scottish Opera is admirably clear. The flying horse sequences are breathtaking, with Lucy Carter's lighting rods. Rebecca Ringst's sets suggest industrial decay, while Christina Cunningham's costumes range from utilitarian to garish.
Daniela Mack shines as the conflicted Hart, with Gabrielle Turgeon as her sassy daughter. Justin Austin is silken-toned as Mack, while Susan Bullock brings bite as Ivona Kowalski. Conductor Stuart Stratford draws powerful performances from the orchestra and ensemble.
At Festival theatre, Edinburgh, until 12 August.
