Zoe Williams describes how she unintentionally stopped reading novels, citing a lack of patience, free time, and inner peace. She found herself more engrossed in nonfiction about trade wars and rewatching 'The West Wing' than in fictional stories. Eventually, a close friend insisted she read Jonathan Franzen's 'Crossroads', which reignited her passion for fiction. She recalls living inside the book and only emerging for food.
The Middlebrow vs Highbrow Debate
Williams reflects on the late 20th-century distinction between middlebrow and highbrow literature, noting that Franzen's 'The Corrections' (2001) blurred these lines by being both intellectually rigorous and unputdownable. She contrasts the slow release of Franzen's works—five to ten years between novels—with the cliffhanger ending of 'Crossroads', which she describes as an 'ambiguity' rather than a cliffhanger due to its highbrow nature.
The Agony of Waiting for the Next Installment
'Crossroads' is the first part of a trilogy, but no publication date for the second part has been announced, expected only within a year or two. Williams jokingly considers writing a complaint to Franzen, questioning how he spent his time during the pandemic. She compares this to the long wait between Hilary Mantel's novels, which she found frustrating despite the historical record providing answers.
Moving On to Other Books
Despite feeling hesitant to start a new novel while waiting, Williams is tempted by Elizabeth Strout's latest book, which made a friend cry despite her anti-anxiety medication. She considers this the best recommendation one can give.
