Jae Stephens’ debut album Audacity is a maximalist blend of R&B and hyperactive pop that makes good on its title, according to a new review. The 29-year-old Dallas native, known for her powerful voice, has released the album after five EPs in seven years, and it is being praised for its audacious, high-energy sound.
A career built on persistence
Stephens began writing, producing, and performing alone in her room, releasing five EPs in the seven years before Audacity. She has written with a host of pop artists and hosts a music interview podcast. The review notes that the album’s maximalist style draws comparisons to recent records by PinkPantheress and Salute, which are noted for their fast tempos and sweetly toned maximalism.
Tracks that showcase range
The album’s opener, “Crush,” is described as simultaneously loud and minimal, with a hypnotic rhythm and aloof melody. Tracks like “No One Knows My Name” and “Attaboy!” evoke classic 2000s R&B tracks played at double speed. Even slower songs like “I Miss the City” layer bounce hi-hats over frustrated, yearning lyrics, keeping the sound from becoming conventional.
A debut that delivers
The review concludes that the record is “bonkers” and, for once in pop, makes good on its title, representing an artist finally getting her shot and refusing to squander it.
