Dark of the Moon, now playing at the Charing Cross Theatre in London, is a supernatural musical that blends ancient British folklore with a teen love story set in small-town America. The plot follows Barbara Allen (Lauren Jones), a spirited human woman who falls for John the Witch Boy (Glenn Adamson), a mysterious figure from a community of Witches and Conjur People. Despite opposition from her Appalachian town, Barbara is determined to be with John, who is willing to give up his immortality for her. The matriarchal Conjur Woman (Josie Benson) sets a challenge: if the couple can remain faithful for a year, John will become mortal.
The musical, originally a 1942 play by Howard Richardson and William Berney, predates Twilight but shares similar themes of forbidden love and social boundaries. Jones brings a punk edge reminiscent of Kristen Stewart, while Adamson channels emo pop star energy with jeans, plaited hair, and eyeliner. The songs by Lindy Robbins, Dave Bassett, and Steve Robson are the highlight, with powerful vocal performances across the cast. The music ranges from country and bluegrass for the humans (e.g., Ordinary Life, Wildflower) to glam-rock and electric guitar for the witches (e.g., Play a Little Dirty).
However, Jonathan Prince's book is criticised for its schematic portrayal of Barbara's wholesome community versus the archly evil coven. The love story, directed by Georgie Rankcom, fails to come alive due to its hammy execution. The production lacks profundity, with the deepest moment being a song about being buried six feet under by Barbara's brother Floyd (Wills Mercado). Despite its cheesiness and ridiculousness, the musical is enjoyable, thanks to its catchy lyrics and strong singing.
