Who Killed Marilyn review: Zero stars for Emerald Theatre's bizarre production
Who Killed Marilyn review: Zero stars for bizarre production

The new play Who Killed Marilyn at the Emerald Theatre has been awarded zero stars by a leading critic, who described the production as a bewildering and amateurish affair that fails on nearly every level.

A Plot That Goes Nowhere

The review, published in the Evening Standard, lambasts the show's narrative, which purportedly explores the death of Marilyn Monroe but instead delivers a muddled and incoherent storyline. The critic notes that the play seems unsure whether it is a thriller, a comedy, or a piece of experimental theatre, ultimately succeeding at none of them.

Central to the criticism is the dialogue, which is described as stilted and unnatural, with characters speaking in a manner that feels detached from any real human emotion. The plot twists, rather than surprising, merely confuse, leaving the audience more puzzled than engaged.

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Performances and Production Under Fire

The acting is singled out for particular scorn, with the cast described as delivering performances that are either over-the-top or curiously flat. The critic suggests that the direction offers little guidance, resulting in a lack of chemistry between the performers and a general sense of disarray on stage.

Technical elements, including the set and lighting, are also criticised for being uninspired and failing to create any atmosphere or tension. The production's design is deemed functional at best, doing nothing to elevate the material or support the performers.

A Night at the Theatre to Forget

The review concludes that Who Killed Marilyn is a production that should be avoided, even by the most devoted theatregoers. The critic's verdict is unequivocal, stating that the play offers no redeeming features, and that the time spent watching it cannot be recovered.

For those seeking a theatrical experience that is thought-provoking or entertaining, this show is likely to disappoint. The zero-star rating places it among the worst reviewed productions in recent memory, and it seems destined to be remembered only as a cautionary tale of theatrical excess and confusion.

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