Meryl Streep returns as acid-tongued fashion-mag doyen Miranda Priestly in The Devil Wears Prada 2, and the Northern Irish agit-rap trio Kneecap present a new album of polemical electro-rave bangers. Here is the pick of the week's culture, taken from the Guardian's best-rated reviews.
Television
If you only watch one, make it Widow's Bay (Apple TV). Matthew Rhys stars in a rich, wonderful and laugh-out-loud comedy-horror about a mayor trying to turn a cursed New England island into a tourist hotspot. Our reviewer Lucy Mangan said: 'Widow's Bay is rich and wonderful.'
Pick of the rest includes Should I Marry a Murderer? (Netflix), the astonishing real-life tale of a woman who helped police investigate her killer fiancé, only for them to let her down badly. Mangan noted: 'We should rename the true-crime genre: “The catalogue of ways misogynists and the patriarchy have set up this world to hurt, humiliate and destroy us.”'
The Cage (BBC iPlayer) is a thrilling tale of two casino employees robbing their workplace, also a deeply moving state-of-the-nation drama starring Sheridan Smith and Michael Socha. Mangan praised: 'Socha is phenomenal.'
You may have missed Clash of the Superpowers: America v China (BBC iPlayer). Documentarian Norma Percy delivers a wry, poised two-parter about Donald Trump and Xi Jinping. Jack Seale said: 'Trump staggers in and vomits all over that.'
Film
If you only watch one, make it The Devil Wears Prada 2 (in cinemas now). This glossy sequel sees Anne Hathaway and Meryl Streep revisiting their roles as former assistant and demon editor. Peter Bradshaw called it 'good-natured, buoyant entertainment.'
Pick of the rest includes Power to the People: John & Yoko Live in NYC (in cinemas now), a star-studded concert film of John Lennon's only full-length post-Beatles performances. Bradshaw noted: 'The best track is New York City.'
Ada – My Mother the Architect (in cinemas now) is a fascinating account of Israeli architect Ada Karmi-Melamede. Bradshaw said: 'Karmi-Melamede’s ethos is an architecture of the ground and of the sky.'
Highlander (in cinemas now) gets a fortieth-anniversary rerelease. Bradshaw said: 'The film’s galloping silliness never lets up.'
Hokum (in cinemas now) is an eerie rural horror starring Adam Scott. Bradshaw said: 'It is an amusing and gruesome premise.'
Books
If you only read one, make it Famesick by Lena Dunham. Hannah J Davies reviewed: 'The afflictions described include OCD, colitis, Ehlers-Danlos syndrome, endometriosis, early menopause, PTSD, and addiction.'
Pick of the rest includes The Things We Never Say by Elizabeth Strout. Claire Adam said: 'Strout has charted her fictional worlds so extensively that readers think of her characters as personal friends.'
This Dark Night: Emily Brontë, a Life by Deborah Lutz offers a no-nonsense take. Samantha Ellis said: 'It’s a relief to read a biography where she comes across as grounded and sane.'
What If Reform Wins: A Scenario by Peter Chappell is a punchy account of a Nigel Farage premiership. Gaby Hinsliff said: 'It’s a lively and often witty political thriller.'
Devotions by Lucy Caldwell features sharply observed short stories. M John Harrison said: 'These stories are full of transformational delight.'
You may have missed Helm by Sarah Hall, a millennia-spanning epic of Britain's only named wind. Aida Edemariam said: 'The wind itself holds this vastly ambitious book together.'
Albums
If you only listen to one, make it Fenian by Kneecap (out now). Alexis Petridis said: 'Kneecap have more than enough about them to ride out the controversy.'
Pick of the rest includes Serokolo 7: Maramfa Musick Pro by an unnamed South African producer. Ammar Kalia said: 'To succumb to these consistently breakneck rhythms is strangely freeing.'
Middle of Nowhere by Kacey Musgraves (out now) gets back to basics. Laura Snapes said: 'The low-key sound gets back to Musgraves’ rural roots.'
Beethoven: The Sonatas for Piano and Cello features cellist Paul Watkins. Erica Jeal said: 'Their playing seems to come from a shared impulse.'
Now touring: Ne-Yo and Akon (to 14 May). Arusa Qureshi said: 'This joyous, varied spectacle shows how deep an impact these two made on pop culture.'
