Hugh Jackman stars in The Death of Robin Hood, a grim revisionist drama that turns the legendary outlaw into a selfish criminal. The film, directed by Michael Sarnoski, struggles to find its footing despite impressive craft.
A Darker Take on a Folk Hero
In this conceptually intriguing film, Robin Hood takes from anyone and keeps it for himself, contrary to the legend. Jackman portrays a dour outlaw plagued by stories that paint him as a hero, while those who know the truth see him differently.
Plot and Performances
The film opens with Robin discovered in the wilderness by a drifter (Jade Croot). A reunion with Little John (Bill Skarsgård) leads to a violent showdown, and Robin's injuries send him to a remote priory where prioress Brigid (Jodie Comer) nurses him back to health.
Jackman's performance is comfortably in grizzled mode, reminiscent of his Logan character. Comer is luminous but given a sliver of a character. The film attempts to explore themes of redemption and regret, but too much is left unsaid.
Craft and Direction
Sarnoski shows skill with early gory fight scenes reminiscent of The Northman, but then shifts to a meditative character drama that proves frustrating. The ending feels rushed, and the film struggles to find a consistent tone between epic and chamber piece.
Despite these issues, the craft is impressive, with natural sounds and textures of the setting (Belfast standing in for Cumbria) effectively transporting the viewer. Sarnoski has proven himself a thoughtful filmmaker, but this is another valiant, if ultimately unsuccessful, attempt.
The Death of Robin Hood is out in Australian cinemas on 18 June, US cinemas on 19 June, and in the UK on 3 September.
