Yesteryear by Caro Claire Burke: A High-Concept Tradwife Tale That Misses the Mark
Caro Claire Burke's debut novel, Yesteryear, has generated significant buzz with its clever premise: an Instagram tradwife influencer, Natalie, awakens in what seems to be the actual pioneer days of 1805, confronting the harsh realities behind her romanticised online persona. The concept is undeniably genius, tapping into the social media trend of women performing "traditional Christian values" for large followings. However, despite its initial promise and a film deal secured with Anne Hathaway, the novel struggles to live up to the hype, leaving readers with more questions than satisfaction.
A Premise with Potential but Execution Flaws
Natalie, described as a "Maga Becky Sharp" or an Amy Dunne from Gone Girl in smocks, is a complex character—intelligent, ambitious, and callous, with a biting voice that drives the narrative. Her journey from building a millions-strong Instagram following to her eventual downfall is compelling, yet the plot often prioritises mystery over depth. The central question of whether Natalie has time-travelled, lost her mind, or is part of a reality TV show becomes the main focus, overshadowing more profound themes like motherhood and politics.
Shortcomings in Character Development and Themes
Burke's exploration of social media exposure and child neglect is insightful, but the novel falters in its portrayal of Natalie as a mother. Despite multiple pregnancies as part of a pronatalist agenda, descriptions of pregnancy, birth, and breastfeeding are shallow and clichéd, with postpartum bonding issues skimmed over. Additionally, the removal of politics from the narrative feels like a bizarre omission, with only hints at the homophobia, misogyny, and racism underpinning the tradwife movement, failing to engage with the current political moment effectively.
Problematic Plot Twists and Hollywood Influence
More critically, Yesteryear uses birth injury and child disability as a plot point in a way that feels shockingly cack-handed and underresearched. This treatment lacks curiosity about how such events shape characters, coming across as cynical and unfilmable without being egregious. The influence of Hollywood producers and executives from the first draft may have contributed to this, potentially stifling Burke's talent and preventing a deeper exploration of these issues.
In summary, while Yesteryear offers a fun and timely premise, it ultimately serves as a lesson in not letting concept overshadow storytelling. Published by 4th Estate at £16.99, it leaves readers wanting more from its promising setup.
