UK Skateboarding in the 80s and 90s: A Gritty Subculture Captured in Photos
UK Skateboarding in the 80s and 90s: A Gritty Subculture

Neil Macdonald's new book, 'Elsewhere: The Story of UK Skateboarding 1987–2002', offers a vivid look at the birth of a British subculture. Unlike the polished American scene, UK skateboarding was grittier, with skaters grinding on car spoilers and flying from rooftops. The book, out 28 May from Batsford Books, is a culmination of a lifetime of collecting, researching, and interviewing key figures.

The Unique British Identity

Macdonald explains that British skateboarding developed its own identity during this pivotal era. Many early cottage industries inspired by skaters are now multimillion-pound brands. The photos capture the raw energy of the scene, from Liverpool to Glasgow.

Iconic Locations and Moments

Highlights include Brian Sumner jumping off a roof in Liverpool, with the NCP car park signage adding a distinctly British feel. Carl Shipman's kickflip at Meanwhile 2 in west London is another standout. The book also features northern indoor parks in Victorian warehouses, like Barrow-in-Furness, where skaters gathered before social media.

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Colin Kennedy's ollie into the Mississippi chicken bank in Glasgow, from the first issue of Document magazine, reflects the rawness of the era. Jimmy Boyes appears throughout, from a televised competition on Channel 4 to his lasting influence.

Behind the Scenes

Macdonald chose a gritty cover photo of Curtis McCann at Royal Oak, emphasising the difference from American skateboarding. The book includes 'snaps' by skaters like Paul Robson, offering unfiltered glimpses into daily life. One photo shows a car park ejection, a common occurrence, summing up the title 'Elsewhere'.

Martin Bernstein's image in Sheffield illustrates the transition from BMX to skateboarding after 'Back to the Future'. The South Bank scene is documented by Ben Wheeler, showing the hostility from authorities. Gordon Skrezka of South Shields is hailed as underrated, skating for himself without seeking coverage.

Mark Baines in Newquay exemplifies spontaneous improvisation, while Geoff Rowley in Liverpool, wearing Vans Chukkas, later convinced Vans to revive vulcanised shoes. Rowley's Liverpool roots remain strong despite living in the US.

The book is a testament to the resilience and creativity of UK skateboarding, offering a raw, authentic look at a subculture that shaped mainstream culture.

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