Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles
Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies

Almost Waking, a dreamlike and intimate collaboration, unites Guatemalan cellist Mabe Fratti, 34, with US guitarist Bill Orcutt, 64, a veteran of experimental music. The album emerged after Fratti praised Orcutt's work in a 2024 interview, leading to a file-sharing partnership that reveals a deep kinship between the two musicians.

The album centres on conversational duets between Fratti's cello and Orcutt's guitar. On tracks like Forced & Forced & Forced, Orcutt's aggressive, string-snapping style is matched by Fratti's fragmented bow-scraping. Elsewhere, on Steps of the Sun, the instruments harmonise tenderly, trading lead roles with the phrasing of a sung duet.

Fratti's soaring vocals appear on two tracks: El Inicio Es Cuestión de Suerte, a stately ballad over a looping guitar melody, and Todo Puede Ser Error, which features a jangling Orcutt solo. These songs demonstrate how Orcutt's adversarial style can work in more melodic settings, while the instrumentals highlight Fratti's natural fit within his spidery world.

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Though Almost Waking feels like an aside for both artists, it reframes them in a wonderfully alive-sounding album full of agitation, complexity and uncanny chemistry.

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