Peter Shaffer's 'Black Comedy' is a masterclass in farcical theatre, and the current production at the Orange Tree Theatre in Richmond brings it to life with dazzling energy. The play, first performed in 1965, is a clever inversion of the classic farce: the lights go out, and the audience sees the characters fumbling in the dark, while the actors pretend to be in pitch blackness. This conceit allows for a riot of physical comedy and mistaken identities.
A Brilliant Ensemble
The cast, led by an outstanding performance from Simon Paisley Day as the sculptor Brindsley Miller, navigates the chaos with impeccable timing. Day captures the character's desperation and charm as he tries to impress his fiancée's father and a wealthy art collector, all while hiding his borrowed furniture. The supporting cast, including Lucy Briggs-Owen as the fiancée and Michael Simkins as the eccentric neighbor, deliver equally compelling performances.
Directorial Flair
Director Paul Miller has a keen eye for the play's rhythmic demands, ensuring that every gag lands with precision. The set design by Simon Higlett is both functional and evocative, allowing for the necessary slamming doors and hidden corners. The lighting design, which shifts from bright to simulated darkness, is crucial to the play's success, and it is handled with skill.
'Black Comedy' is a testament to Shaffer's skill as a playwright, blending humor with a subtle critique of social pretension. The Orange Tree's production is a must-see for fans of classic theatre and newcomers alike. It runs until July 6, and tickets are available through the theatre's website.
