The Three Choirs Festival kicked off with an impressive opening concert at Gloucester Cathedral, featuring a world premiere, a symphony, and a cantata that had been banned for 26 years. The Festival Chorus, conducted by Adrian Partington, delivered a thrilling performance of William Walton's Belshazzar's Feast, a work once considered too risqué for the festival.
Premiere and Symphonic Fireworks
The evening began with the UK premiere of Gavin Higgins' Fanfare Americana, a lively piece celebrating American can-do spirit. Brasses and tubular bells filled the cathedral with exuberant sound, like fireworks. Adrian Partington led the Philharmonia Orchestra in a spirited account.
Elgar's First Symphony followed, grounding the audience with its noble tread. Though the opening movement could have used more elasticity, the scherzo was exhilarating, ranging from delicate filigree to ominous menace. A warm Adagio and a brisk finale with Edwardian fire completed the work.
Chorus Shines in Belshazzar's Feast
The highlight was the 141-strong Festival Chorus in Walton's Belshazzar's Feast. Their discipline, diction, and clarity were remarkable for a combined choir. Male voices opened forcefully, with female voices joining in poignant lament. Baritone David Stout brought theatricality and humanity to his solos, leading to a powerful "Praise ye the Gods" section with percussion-laden climax. Partington's flexible approach drew out dissonances and crackling energy, making the concluding hymn of praise joyful indeed.
The festival continues until 1 August.
