Penélope Cruz and Javier Bardem's psychological thriller Bunker received the longest standing ovation of the 2026 Venice Film Festival so far, clocking in at 16 minutes. However, a review from Metro's Tori Brazier argues the film does not deserve such an extended show of applause.
Brazier describes Bunker as a clever film, well acted, and complex, raising interesting ethical points. Yet, it is also meandering and not the only film at the festival to feature an abrupt gear-change in the final act. The critic concludes it is not worthy of such a lengthy ovation.
Standing Ovations Out of Hand
The review criticizes the trend of lengthy standing ovations at festivals, noting the longest ever at Venice was inspired by The Voice of Hind Rajab last year at 23 minutes, which Brazier finds understandable given its emotional power. The Room Next Door in 2024 received 18 minutes, another film the critic found unremarkable. In contrast, Testament of Ann Lee last year managed 15 minutes and was later overlooked at awards season, while Wild Horse Nine this year scored 14 minutes, which Brazier considers more accomplished than Bunker.
The piece suggests the ovation length is influenced by love for filmmakers and actors, politics, and timely messages, as well as the film's quality. Cruz and Bardem's pulling power is noted, with Cruz enjoying a strong run thanks to La Bola Negra and The Invite.
Plot and Performances
Bunker examines a marriage under strain when architect Miguel (Bardem) considers a tech billionaire's (Paul Dano) request to design a bunker. Before that, their neighbor (Stephen Graham) knocks a hole through their garden wall without planning permission. Miguel, interviewed by a reporter (Sarah Hadland) from his London home, is tempted by the massive fee, while his wife Sofia (Cruz), a book editor, is not.
Writer-director Florian Zeller, known for The Father, attracts famous faces in smaller roles, including Patrick Schwarzenegger, Mark Gatiss, and Dame Eileen Atkins. The review notes several funny moments built on irony, but the climax does not mesh with the preceding hour and 40 minutes.
Verdict
The review concludes that Bunker never kicks into the anticipated gear, veering in a different, dissatisfying direction for its finale, though it offers gently entertaining humour. The film premiered at the Venice Film Festival on Tuesday September 8 and has yet to receive a confirmed UK release date.
